No Body Else but Yours, By Jennifer Angelina Petro

No Body Else but Yours

By

Jennifer Angelina Petro

 

 

Listen, trees

breathe you

breath drawn

from roots,

drawn from darkness,

that, in turn,

breathe the earth

cradled in arms

that spiral stars

with revolutions

of joy.

 

The next time

you feel wind

on your face,

know you are dear

to the heart

of the world;

how you are

touched

with eternity

breathed

from lungs

of love and sighs,

that are, in turn,

born from a longing

for nothing more

than a glance

that is no body

else’s but yours.

 

 

 

 


 

 


Occulted, by Jennifer Angelina Petro

Occulted

By

Jennifer Angelina Petro

 

 

The chimeric afternoon

Lifts its head, as I venture out

For the first time in three days.

I mask my face against the belladonna air,

Each step feeling modestly feral,

Each sifted breath more defiant than the last.

It occurs to me, as the swift, April wind

Spindles through my hair:

There is nothing I wouldn’t give

To lie with you in the cherry-blossom-petaled grass,

Hands clasped, holding on

Through an uncertain, occulted future.

What I wouldn’t give

To Netflix with you in bed,

Blankets warm, lights off. If only you were here.

If only you existed.

What I wouldn’t give to be vivified by a kiss.

As it is, each step slows in the miasmic

Walk back to what I call home.

I climb the steps, turning to look for you

One last time. I open the door. I close the door.

I walk into my spell-bound apartment

And sit on the couch.

I do not look out the window,

Passed the magnolia tree,

To the sidewalk below,

To see if you spirited home with me. Instead,

I remove my mask, I close my eyes,

And merge back into the sonorous silence.

 

 

 

 


Musings on Prayers and Kisses, By Jennifer Angelina Petro

Musings on Prayers and Kisses

By

Jennifer Angelina Petro

 

 

Trying to pray with your eyes open is like trying to walk with your eyes closed. One distracts you, the other confuses you, but the end result is the same—clumsiness.  Trying to kiss with your eyes open is more an act of will and wide-eyed-giggling than it is: “I must see where my face is going.” Lips know.  The soul knows. The feet do not without aid of the eyes.  Then again, it must be considered not all prayers are the same, just as not all kisses are the same. And I must say at the beginning, I am musing along with you as I write these words.  The ideas herein are like the aforementioned legs without eyes to guide them.  I do have certain experience, albeit limited, with both kissing and praying, but I am roaming these topics of heaven-given moments with as much anticipation as you to see where they lead.

One can kiss a lover, friend, or a child “Good morning—have a good day”—with eyes open (perhaps, however, while staring at the coffee maker or the clock).  One can kiss a lover with eyes open—wild, seeing everything—following the other’s eyes like search lights, but that’s usually at first contact—when clothes are dropping off ready bodies, like swollen seed-husks falling from blossoming flowers. Eventually the eyes close and you both connect, like living magnets, and both exhale–surrendering into that intimate vulnerability of having someone ornament your body with decorating kisses. We have an interesting distinction here: eyes open during the initial flurry of passion, then eyes close when things settle in a pulsing rhythm of bodies, and the feast of lips tasting lips.  Then, one begins exploring the other’s body with kisses as the other’s eyes close in deep, rising and sinking sighs.  And when the lips find the places where rapture happens both lovers’ eyes close. That being said, it’s not uncommon for the one receiving to have their eyes fly open with: “Oh God! Oh God!”  When the sweet release comes, and the waves shimmer through the body, the eyes most often close like the deepest, most calming, evening.  And when the lovers switch places, the process unfolds, with any luck, the same way.

Prayer is very much the same, only different.  So is singing, but that’s another essay.  In praying, as in nighttime prayers (that often slip so easily into sleep), the eyes close to shroud the whispers that kiss the dark.  Morning prayers too are most often said with eyes closed, head bowed before the body of the day. Of course, there are those prayers where the whole body participates, as when the sea rolls through your body during love making.  Dancing prayers, yogic prayers, walking prayers, making coffee for your partner prayers—these are all eyes-open prayers—even if your eyes are drooping with not enough sleep. There are vigil prayers when candles are meditated upon, and lives gone are reflected upon, and hopes for peace rise to the sky. During vespers, the eyes can be open or closed, as the prayers wish for safe sleep and warmth.  Then, there are prayers we pray for someone else—someone sick or struggling through a rough patch—these prayers are almost always asked with eyes closed in supplication and intensity, as when we humbly, or boldly ask a lover to kiss us in the places we want kissed.  There are prayers of wonder, as when we see stars and newborn babies and sunsets and moon rises.  These are prayed with gasps and awes, as when your lover’s lips find the tingling places on your body—eyes suddenly open with surprise and reverence.  There are rote prayers where the eyes automatically close because everyone else’s automatically close and if you sneak your eyes open and scan the room full of closed-eyed people you feel a sprinkle mischievous and a dash voyeuristic, and perhaps a pinch of outright rebel.  These are moments akin to opening one eye during a kiss to catch the reaction of your lover.  Both are perfectly acceptable, of course, for they inspire the fun of witnessing community and union, provided the eyes aren’t opening in either case with insecurity to check whether or not you’re kissing well or praying with the proper piety. Hopefully, however, there are very few rote kisses in your lives. There are prayers of prophecy—spontaneous and unplanned like wild, ravishing kisses predicting soon to come release. Your eyes are always open during these prayers while your lover’s are usually closed with faith and the sweet, blessed, little fear that sometimes accompanies letting go to the control of another. There are also the prayers of grace and blessings before a meal, which can easily be translated into prayers of gratitude before feasting at the table of your lover’s body. Lastly, there are prayers of ecstasy, when your eyes close seeing lights and visions, and the soul stirs awake and bliss shimmers through your entire body, and exclamations of: “Oh God, Oh God!” soar around the room.  We don’t have to imagine too hard to know which kisses these are like and where they settle and deepen and what the eyes do when such rapture happens.

Well, there we have it.  I truly had no idea where this was going.  Now that we’re drawing to a close (or a curious, intriguing opening) it is my hope this meandering piece inspires you to kiss more reverently and to pray with more wildness; to kiss with more attention and devotion, and to pray with more openness to revelation; to kiss more adventurously and to pray more like the trees must pray, like the sea must pray, like the shore must pray, like a hawk gliding on spiraling currents must pray, like the mother bear awakening with cubs must pray, like the owl must pray keeping watch over fields and marshes.  In other words, may our prayers and kisses become one and the same, where Lover and Beloved become one and the same–one breath, one sparkling river, one song of praise.

 

     

 

 


 




Trauma Returns V, By Jennifer Angelina Petro

Trauma Returns V

By

Jennifer Angelina Petro

 

 

There is a way of never reaching out to be held again that is like a tree standing in a spring clearing, never to grow leaves. There is a way of living knowing no arms could ever fill the emptiness you carry that is like walking alone down an endless dusty summer road. There is a way of existing that precludes any sense of being comforted that renders one’s spirit silent, like an empty house.  There are times when pillows become the receivers of the kinds of embraces and tears a scared child should be able to share with a parent, or, in the best-case scenario, a dear friend, or even a stranger who completely understands such ambiguous and deep loneliness. There is a way of moving in the world with such grief and loss, that it’s like having undigested food sitting in one’s guts, and yet, still being hungry night and day. Today, the pillows are once again receiving hugs and the tears that come and go in aching waves, because no one can ever be trusted to hold this grounded falcon, this being of living fog, this feral heart that recoils—thrashing from the offered arms, this darkness that is like living in stone and yet somehow being able to breathe and watch, but never to soften again. All the while longing to be scooped up and rocked, like a nest in the arms of a tree in the light of the moon.

 

 


 




Trauma Returning II, By Jennifer Angelina Petro

Trauma Returning II

By

Jennifer Angelina Petro

 

 

Is it a longing for the divine that burns just behind every moment and interaction with someone? No, it can’t be. The divine is everywhere I turn and in everyone I see. This soul-loneliness then must just be there, like an underground abandoned and crumbling church lit by a single, ever-burning candle. No matter how it flickers in the winds of sighs and the passing of ghosts, it remains lit—an ever-present reminder of solitary confinement. There are friends aplenty in my life. There are people who love me and whom I love. There are times our voices lift together in praise. There are times laughter fills the room. And yet, the soul-loneliness lives just behind every moment and interaction. Trauma does that. It is a severing of lifelines, a smashing of lifeboats, a drifting away on the sea. This is not to say I am ungrateful for your company. It is to say: that lost look in my eyes is a shadow on the wall of that little candle in that underground church, and nothing, it seems, can ever fill that space with light and singing, community, and warmth. Please, I beg you, don’t ever stop trying. It is your persistence and compassion, and my limited abilities to be present in your presence, that keep me going. And sometimes I can stand in that church and feel triumphant, and maybe even sing in my weeping. Mostly, the soul-loneliness fills me with dust, as the church slowly crumbles. Trauma does that. It defines a perimeter where wounds cannot be reached. And the divine is everywhere. Even in that church. I know that in my mind. Trouble is—all sense of comfort and safety from that holy, living light were stolen, and so the divine feels more like a wind from somewhere far away, trying to make a wish and blow out that little candle. Trauma does that. May the birthday one day come.

 

 

 


 




The Root of Us All, By Jennifer Angelina Petro

The Root of Us All

By

Jennifer Angelina Petro

 

 

Flowers flower from the branch,

Branches flower from the tree,

Trees flower from the ground,

The ground flowers from the earth,

The earth flowers from love’s universe,

Love’s universe flowers from many minds

And many hearts and many wishes and many prayers.

 

Minds flower from seed,

Hearts flower from fire,

Wishes flower from all children,

Prayers flower from pain.

 

You flower from me,

I flower from you,

We flower from need,

And need flowers from desire,

Desire flowers from all space,

And all time, and everything right

With the world.

 

Waves flower from the sea,

The sea flowers from longing,

Longing flowers from love once known

Calling us home,

Home flowers from hearth and bed.

 

Love flowers from our hands,

Our hands flower from our limbs,

Our limbs flower from our bodies,

Our bodies flower from union,

Union flowers from creation everlasting

Everlasting flowers from joy,

Joy flowers from need,

Need flowers from want,

Want flowers from gardens of many fragrances and colors,

Many colors flower from infinity’s imagination,

Imagination flowers from the hands of a child,

And a child is the root of us all,

All of us flower from variety’s branches,

Branches flower from the tree,

The tree flowers from the ground,

The ground flowers from where you stand,

Your standing flowers from community,

Community flowers hands opening,

Hands opening flower from pain lived,

Pain lived flowers from the bravery of a child,

And a child is the root of us all.

 

 

 


 

 





The Gravity of Longing, By Jennifer Angelina Petro

The Gravity of Longing

By

Jennifer Angelina Petro

 

 

The moon reaches down

Lifting the waves in her cupped hands,

Scales of fish contain petals of the sun,

Moths slip the gravity of their longing

Letting their wings catch fire,

Wind arrives at street corners, spinning leaves

In little galaxies,

Deer move as solemn Druids,

Leaving angel hoof-prints in the snow,

Union and separation whirl in expanding

And contracting orbits of desire,

Creation wheels around the flame of god,

The road of your passion unfurls before you,

With a keenness that washes your hair and hands–

Sing—

Keep your prayers coming and your steps light–

They will return home, dancing.

 

 

 

 

 

 


 





I Don’t Know How I Know This, By Jennifer Angelina Petro

I Don’t Know How I Know This

By

Jennifer Angelina Petro

 

 

Inside the uplift of death—that moment–

When the white doors open

You will fly out of yourself long enough

To fly back into yourself in one terrible

And freeing inhaling exhale.

Daffodils lose their vibrant trumpets

To the sunlight, irises curl in on themselves

And alliums drop their radiating, purple petals to the ground.

Cherry blossoms scatter their thousand, million pink pieces

Of exquisite beauty into a spring wind that rouses

The mind to start moving on those plans laid out in winter,

And you cannot help but stare, and weep with such joy the moment

Uplifts and white doors open, and you fly into yourself

Long enough to fly back out yourself in one orgasmic,

Eternal—breath-catching inhaling exhale.

And when the sidewalks become dusted

In deep pink—so much so you cannot see the gray ground—

White doors open and you fly out of yourself long enough

To never return to the state of unnoticing.

Every moment we build up and break down,

We dissolve, we sag closer to the earth,

Our muscles loosen, our jaws slacken,

And we become like fragile, spring birds long enough

To breathe into ourselves, long enough

To exhale one last time into the air—

Just strong enough to blow open the white doors

And get swept up into the uplift where all the trumpeting

Daffodils wait, where all the irises unfurl

Their sex to the sky, where all the alliums burst

Purple bulbs from their tall, slender stalks, like

Slow motion fireworks—

There you will stay long enough

To bloom the fragrance

Of a life well lived into the ever spring

Of God.

 

 

 


 



Angel Speak, by Jennifer Angelina Petro

Angel Speak

By

Jennifer Angelina Petro

 

 

Every night, a friend

Comes to talk with me,

Carrying word of faraway

And intimately near places.

Sometimes she talks,

Animatedly, with an urgency

Known only to those with important news,

Sometimes she talks

In gently bobbing waves of psychedelia,

Which carry me on their drifting

Clouds to the shores of morning.

Sometimes she chases me

Without a word—just pursuing me

As if I were quarry, sometimes

She drops me, plunging me

Into the day, sweating and panicked.

Even when she appears sinister,

I have come to know she simply wants

To send messages from the soul.

 

And every morning, I wake

And forget everything

She said.  Well, some of it

Lingers for a few moments, like

The scent of honeysuckle in spring;

But eventually, as I dress,

And rustle papers and books,

It fades, or lifts, or blows,

Or flies, or runs

Away.

 

I think sometimes

What if she ached to be known,

To be heard, to be validated, seen?

 

What if she simply wanted

To be there, like

An angel by the riverside.

 

Indeed, what if

All dreams were flocks of angels

Forming grand gestures and landscapes

Of secrets intent on revelation?

 

What if she was trying

To tell me she needed help

Or that the spiritual world

Was in trouble?

 

What if she was trying to tell me

That it’s time, as I sleep

Through my day,

To wake up and start singing?

 

 


 

 

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Turning In, by Jennifer Angelina Petro

Turning In

By

Jennifer Angelina Petro

 

 

 

 

At night, when our bodies

Begin to slow down, and our eyelids

Become heavy, we turn in,

And our attention

Recedes from the senses,

And we move into ourselves and dream.

And we all know dreaming

Is just the soul saying what it wanted

During the day but couldn’t,

And as we are drawn inwards,

And our breathing drifts like it was meant to,

And we rescind control over our bodies,

And our lips part and our palms open,

And our arms go this way and that,

We begin catching z’s—the buzz

Of fluorescent lights becomes the buzz of bees

Making honey out of our disappointments,

The hum of the fan of our laptops

Becomes the hush of owl’s wings,

And we yield like this every day–

Every day we relinquish the tenuous hold

We have on our lives and surrender

To the darkness living within us—

The selfsame darkness that holds the voice of desire–

Speaking like a lighthouse to approaching ships,

Speaking like the hummingbird daring us

To try and follow where it goes,

Speaking like moonlight on the river,

Speaking like our soul bowing down before us

Aching for us to listen.

 

 

 

 


 

 

 

 




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