Growing Down

Growing Down
By
Joseph Anthony Petro

 
Weep tender heart, weep.
Every tear you cry lifts the crushing weight
From your chest and drops away
Chains from your hands and feet
And heart.
You
Did
Nothing
Wrong.
Weep, tender heart, weep.
Hold my hand and dive into the folds
Of the dark waters of your pain.
You will not drown in sorrow;
You will not drown at all.
You will blossom in the depths, like
A manta ray, like a rose of white light, like
A lotus of moonlight with roots of life-giving blood.
Weep, tender heart, weep.
Let your tears become one with the darkness,
Let your tears shed the layers of hatred
For your body, for your existence,
For the false reasons you came to believe you were born.
Release them. Release them and weep,
Weep, tender heart, weep. Know there are many
Weeping with you; there are many blossoming
With you; there are many loving you
Until you can love yourself; so weep
Fierce heart, weep.
And when you surface from the shadows,
Bursting forth with hope, and the earth-given-
Heaven-blessed-moon-drenched desire
For unity, wholeness, and the arms
Of your Beloved, your tears will be tears
Of joy. For you will be free,
And you will be alive, and you will be a child
With the heart of a man.

 

 


 

 

 

 





I’m Not Supposed to Tell You–Original Version

Note:  In the version I published yesterday I felt my usual need to be responsible and hopeful and redemptive for you.  I couldn’t bear to leave you with how I was truly feeling–and that’s not a “bad” thing–that quality I love about myself–most of the time.  Often I do not know where I leave off and you begin and I get confused about my desire to save everyone.  Anywho, the original version of this poem is the one posted today.  The second half that I added yesterday is still true and I am deeply grateful for the hope and love I receive from others.  Today, however, and when this poem was born,  I am in an inner hurricane, and no, I will not hide that today.  Joseph

Special thanks to Mindy for not being afraid.

 

I Am Not Supposed to Tell You
By
Joseph Anthony

 

I am not supposed to tell you
How steeped I am in self-hatred;
How I feel like a sand mandala slowly
Blowing away grain by grain;
This heart you think you know
Is not mine. My heart is an albatross
Lost at the bottom of the sea.
A dark angel shifts heavy, smothering wings
Inside my chest. A wind-tossed night sky
Searching for morning, blankets
My basic, human sense of self.
Breathing
Feels
Wrong.
I am not supposed to tell you that.
I’m supposed to worry about what you
Think of me; what will happen
Now that you know—
I’m not supposed to tell you that either.
You tell me: this too, shall pass.
I am not supposed to tell you:
Those words enter a man’s ears but are heard
By a child’s—a child who hears you
But cannot help looking passed you
At the storm gathering behind you—the one
Unfurling like a monster made of smoke—
The one heading this way.

 

 

 


 

 

 

 





I’m Not Supposed to Tell You

I Am Not Supposed to Tell You
By
Joseph Anthony

 

I am not supposed to tell you
How steeped I am in self-hatred;
How I feel like a sand mandala slowly
Blowing away grain by grain;
This heart you think you know
Is not mine. My heart is an albatross
Lost at the bottom of the sea.
A dark angel shifts heavy, smothering wings
Inside my chest. A wind-tossed night sky
Searching for morning, blankets
My basic, human sense of self.
Breathing
Feels
Wrong.
I am not supposed to tell you that.
I’m supposed to worry about what you
Think of me; what will happen
Now that you know—
I’m not supposed to tell you that either.
You tell me: this too, shall pass.
I am not supposed to tell you:
Those words enter a man’s ears but are heard
By a child’s—a child who hears you
But cannot help looking passed you
At the storm gathering behind you—the one
Unfurling like a monster made of smoke—
The one heading this way.
I am not supposed to tell you any
Of this. But I know you.
You are already diving into the dark waves
With underwater flashlights and lifelines,
You are exorcists of demons—loving
The dark angel until he flies away
To the mountains of God, and turns
Into a baby goat.
You are ushering in the dawn
On strong, generous shoulders,
You are out there patiently collecting bits
Of sand and handing them back
To the mandala-maker,
You are looking in my eyes, you see the reflection
Of the approaching monster and still
You’re reaching out your hand, still
You are standing steady—braced with faith, still
You’re saying, “Dear Heart, it’s true.”

 

 


 





How Shall I Compare Thee?

How Shall I Compare Thee?
By
Joseph Anthony Petro

 
Some compare life to the layers of an onion,
And how fitting—how easily, once cut especially,
The layers fall away, and yes, there are the tears.
There are those.

Some compare life to a rose—
Thorns, fragrant, exquisitely beautiful,
And when you struggle to find the center
It all unravels and is no longer a rose.

Some compare life to the sea—
Deep (obviously), ebbing and flowing,
Full of dark mysteries and storms,
Leviathans, and beings made of light,
Seemingly endless in its distance,
Moon kissed, full of tears, and sun-drenched
Waves of desire.

Use anything–the mirror even,
Just begin, go on, try. Try to compare life
To anything on earth or in the heavens.
This is not a challenge or a call to fail.
This is a plea to encourage you to look,
To search. Find places, beings, other people,
Feelings, images, objects that resonant
With your heart, your body, your experience
Of breath and of grief, of joy, and of divinity,
Of growing and becoming, of withering,
And blossoming.

Why? Why do this?
Isn’t it effectively separating yourself from yourself
And others? Not for me. This exercise, this discipline,
This holy, unquenchable fire
Helps me sort it all out, helps me discover myself
In the world and the world in myself, it helps me to see you
And allow myself to be seen by you, or else I am alone,
Somehow outside the circle of God, as silly
As that sounds. And of course, it’s just a suggestion,
Like everything else in life that is truly alive.

We get hints while moving towards
A fullness that culminates in a blessed emptying–
Fountain into fountain, river into sea, image
Into image, love into love.
So take the suggestion
As it is given—a passing brush stroke across the canvas
Of your life.

 

 

 


 





Dream Image I

Dream Image I
By
Joseph Anthony Petro

 

roots of trees 2
Imagining the tree will suddenly
Lift the skirt of her roots and run,
Or dance, or simply move closer
So I can rest in her branches,
Run my fingers through her leaves,
Kiss her trunk of concentric circles.
Or maybe she would run right passed me,
Headlong into the ocean, leaves scattering
In her own private autumn, and become
A ship, trailing her wake of roots
Slowly, into the waiting arms of the sun.

 

 


 

 

 

 





The Lighthouse and the Lightkeeper

The Lighthouse and the Lightkeeper
By
Joseph Anthony Petro

The Lightkeeper climbed the spiral stairs he had built
Many years before, illuminating his own way as he went.
Arriving at the barely burning light, in the sea-whispered darkness
He trimmed the wick, like a gardener pruning a flower.
Shrouded in salt-scented silence the wick wept in pain and gratitude.
The Lightkeeper knew all about the storm-swirled foundations
Of the lighthouse–her laborious beginnings and genuine attempts
To remain solid and in good standing with a shore covered with rocks and waves,
And an ocean full of lost vessels–untethered, uncaptained, bobbing
In their own sickness, void of direction, unsure of the way ahead,
Lost without rudder or sail. The Lightkeeper knew them each by name.
He knew their voyages, their origins, who built them and set them sailing,
He knew where they wanted to go. He knew the emptiness in their hulls,
And their desire for treasure. He knew their wheels longed to be held and steered
Despite their cries to be left alone.
He knew he wanted each and every one of them safe in the harbor.
He knew all about the ideas that the wind-tossed-tide threw around like little shells—
Ideas that say the world no longer needs lighthouses,
Ideas that say it is somehow wrong to shine, or wrong to want or need
To be rekindled by another, that the ships are perfectly fine
Drifting as they are with their own unique and uncriticizable navigation equipment.
Into these ideas he simply implanted the sound of the sea.
Having finished his trimming for now, the Lightkeeper
Touched his light to the wick with all of the tenderness
Of an angel kissing the forehead of a sleeping infant,
And when spark caught spark and the light of the lighthouse
Began to blaze, filling the space with warmth and steadiness
Ship after ship began sailing for home, and the lighthouse
Remembered why she was there and how important
Her mission was. And then the Lightkeeper
Looked at her flame dancing in the light of his light and said:
“This is my Beloved daughter in whom I am well pleased.”

 

 

 


 

 





On Being Held, an Ode in Prose to the Common Chair

On Being Held
An Ode in Prose to the Common Chair
By
Joseph Anthony Petro

 

We do trust falls every time we sit down in a chair. It is similar when we flop down on a bed, except in the case of the bed, we see the surface we are about to fall on. With a chair, our subconscious might maybe, maybe notice for a millisecond where the body is going—however, for all intents and purposes, we simply drop ourselves into the chair, and rarely, if ever, imagine crashing to the floor. We just suddenly renounce our verticality and allow ourselves to fall and be held in a uniquely folded position. Sometimes we lower ourselves slowly and let the chair rock us as we doze off after reading a few lines from our favorite book. We waive our right to gravity when we sit in a chair. We resign our mobility, and simply stop, trusting the chair will do its humble task of holding our butts no less, and supporting our backs. And aside from an occasional creak, chairs hardly ever complain. Yet there they are–ordinary servants in ordinary moments, standing at the ready for when we relinquish our desire to do it alone. Chairs are there when we collapse, yielding to the pressure of living, succumbing to the fatigue of grief, or to the deep relief of gratitude. Chairs are a steadying force when we let our guard down or lose our way. They let us fall only so far, keeping us from sprawling across the floor. They are as complete an image for faith in the care of God as any can be. Chairs, like God, want us to take them for granted. It’s what they live for. They want us to have perfect faith in their ability to set things right if we would only let them. “Come, sit down,” the friend says after we’ve heard the trajectory-changing news. And so we do, allowing ourselves to wilt in the chair, like a wounded bird being healed in the hands of God.

 

 


 





Tradition Three

Tradition Three
By
Joseph Anthony Petro

 

In the space created by gathering together
Tangled bundles of nerves loosen into usable threads of stories
Whose intricate plots become the fabric of hope;
Thunderous pasts and futures soften into the holy silence of here and now;
Knots of shame and sorrow unravel first into heaps of relief
And then are braided by wisdom into lifelines for others to grab hold of;
Springs of tension and rage wind down into shock absorbers
For the carriage of the heart;
Shells of human beings break open into birds of freedom;
Ghosts shimmer back into their bodies and bones reassemble
Taking on the flesh of experience and rise from the dead;
Dissonant chords of not knowing what to do
Resolve into melodies of mistakes and laughter;
The stormy seas of self-condemnation calm into self-acceptance
As we give ourselves over to the hands of another;
And no one has to step out onto the waves to prove anything
To anybody, and everyone in the space created
Stays in the boat and rows, while love dances on the water
Gathering us together in the sun-drenched wings
Of mutual aid.

 

 

 


 





Echo, Sadness

Echo, Sadness
By
Joseph Anthony Petro

 
Echo, sadness, on the walls of my chest,
Over the skin on my shoulders,
Echo, sadness, roll down my arms
And splash from my fingers,
Echo, sadness, through the waters of my soul,
In the hollow of my hands, in the pit of my belly,
Echo, sadness, through my bones,
Through the shell of my memories,
Echo, like sonar and find the lost ships of desire.
Echo, sadness—shudder through the ghosts
Of my mind, allow them the gift
Of dissolving like mist in light—audible light—
Let them sing as they go, thinning
Into particles of mantras and prayers.
Echo, sadness, ring in the bell of my heart
And pour through the valley of my past
And the mountains of my fears.
Echo, sadness, here, in this rattled and quivering breath—
Shallow and catching—echo here and in this here–
Sound the call of healing and let this be but a beginning
Of the unleashing of the mighty dragons of joy
From the company of heaven.

 

 

 


 





No More

No More
By
Joseph Anthony Petro

 
No more, he begged, crumbling to the floor, curling into a ball,
No more.

No more, he said, standing, fists clenched, shoulders straight,
No more.

No more, he whispered, gathering the frightened children in his arms,
No more.

No more, he wept, looking at himself in the mirror,
No more.

No more, he prayed, kneeling by the grave,
No more.

No more, he shouted to the sky, to the endless road,
To the silently falling snow,
No more.

No more, he cried to his nightmares, as he entered them
With handfuls of stars,
No more.

No more, he said to his tears, no more pretending
You are laughter. Fall. Fall without shame or censor.
Fall and water the roots of this moment.

No more, he said to his rage, no more thinking you have no place.
Do what you will—the world was created in fire.

No more, he said to the memories, no more hiding.
It is safe to breathe here, and to become light.

No more, he said to his heart, no more denying our brokenness—
Let us fall to pieces. There are those who will help us reassemble a way to live
And to love.

No more, he said, taking his soul by the hand,
No more going it alone.