Clear as Day, By Jennifer Angelina Petro

Clear as Day


Jennifer Angelina Petro



One never knows until never is up,

And then you know whatever it was

You didn’t know before never ran out.


It’s kind of like this: A firefly

Turns its own light on and off

In an effort to get your attention.


Certain questions act the same way—

Bobbing up and down, elusive—

Hints flashing among the dark trees;

Every so often, and often again—

Someplace different—a little to the left,

A little higher, and sometimes, seemingly,

Rising to the moon, all in an effort

To be followed.


Trick is—and it is a trick—keep watching

For the lights—they can bloom anywhere

In the fields of summer darkness;

When you see one, follow its green-tinted

Ribbon where ever it goes, as best you can,

And if you lose sight of it—disappointment,

Frustration—are perfectly valid responses.


Try and remember this:

When you fall asleep, and answers

Lift through the trees—out of reach—

Do your best to not give up.


Your dreams–along with a gathering of angels

And shadows—will ponder the questions for you,

And when morning comes, and the dawning sun shines,

It will all be clear as day.










On Notice, by Jennifer Angelina Petro

On Notice


Jennifer Angelina Petro




At a moment’s notice

You’re on notice.

Did you notice that?

It may come person to person,

Or deer to person, or hawk to person,

You might receive notice in the mail–

It might be short notice,

Advanced notice,

Official notice,

It might be public notice,

Or you might be noticed in secret by a shadow, or the moon.

However it comes, whatever its nature,

Take it as best you can, for rest assured

One day you will be put on notice,

Or you will put notice on yourself—whichever it is—

There may not be further notice.

Keep in mind there are notes in every notice–

Musical notes that just want to be seen and heard and played.

For all noticings are musical by nature, every time

You notice another, the soul dances.

The thing to remember is this:


Nothing goes without notice forever.

When death comes with her eviction notice,

You will have no choice but to sit up and take it.


I notice your eyes,

The slight tilt of your face,

I notice you breathing on these words

Giving them life.







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I Cannot Say I Loved Him

I Cannot Say I Loved Him
Joseph Anthony Petro


He’s been with me since the beginning.
I’d look in the mirror and he would be there
Staring blankly at my chest or arms,
I’d slip into my pajamas and he would be waiting
To chase me in my dreams,
He would mock me from the corners
Of rock star posters and porn magazines,
I’d see him in the backgrounds of cigarette ads
And truck commercials shaking his head and frowning,
He would stand looking over my shoulder
When I drew pictures or wrote in my diary
Whispering the words or tracing the lines
He felt were out of place or too sensitive,
And yet I stuck with him–following him
Just as much as he followed me,
I would carry his shoes and try to fill them,
I based my carriage on how he walked,
I built up a story of what he expected of me,
How he thought I should look, speak, and move,
I noticed how other people saw him
And tried to be him in their eyes;
And even though he lied and shamed
He was there when no one else was—
He never left me, never tired of offering
Advice on how I could better myself—
His lies were loyal, his sarcasm tinged with fraternal care.
Yet I cannot say I loved him
Even though he led me this far,
Even though in certain respects
I chose him as my shadow.
All I know is the more the truth is revealed
Of why I am here and who I am meant to be
The more he fades away in the illuminated fog,
The more I listen to the angel calling my name
The more he grows distant and small,
The more I move towards her voice
The more he vanishes in the light of her song,
The more I adopt her freedom and beauty
The closer he comes to scattering into a thousand drops of ink
And finding himself being absorbed into the fabric
Of the merciful, moon-swept night.







In Your Own Time

In Your Own Time

By Jennifer Angelina Petro



In the shadow of trees
The owl glides over the moonlit marsh, like a dream.
Fireflies drift into shadow-dappled fields, like
A slow carnival of stars.
Bats break free from the shadow-shawled branches, like
Pieces of darkness fluttering through the sky.
It is alright to live in the shadows.
Candles and gold are brightest there.
It is also alright—more than alright-
To burst forth from the shadows, like
Morning through the trees,
To climb over riverbanks and spread over the shore
Perfectly imperfect—loving the shadows
For who they are, knowing their purpose is pure
As midnight, pure as cricket song, pure
As the talons of the owl bloom from the darkness
And descend, joyously, full of hunger,
Towards the object of her desire.
It is alright—it is more than alright
To be who and what you are—
No matter the shadows, no matter the light—
The fields of the world
Await the beating of your wings.







And a Child Shall Lead Them: The Art of Facing Your Fears


Fear roamed the streets in the form of a pack of starving lions.  Ribs quivering, tails dragging, they stalked the shadows in search of easy prey.  Their yellow eyes scanned the alley ways and doorways, searching for the hesitant ones, the ones who needed to rise from the two-step in front of their apartment and live a new life, but instead remained glued to the spot, lost in the hypnotic gaze of future worries.  The starving lions sniffed out the ones just about to get up and make a change, and slunk in front of them and sat on their haunches, and stared them back down.  But the people did not see starving lions; they saw the forms of those they knew ready to tell them that they were crazy, that they would never make it, and that they were not good enough.  They took the forms of images of failure and destitution, and the more the people let those images stalk their minds, the more the starving lions feasted on their dreams, devouring them with gleeful fervor.  One of the lions of fear glided towards a child who wanted to leap into a pile of crisp, red and orange leaves, but was too afraid of getting bit by a tick to actually jump in.  He stood there hating himself for having such obsessive fears.  He heard the voices of his parents in his head telling him all about the horrors of Lyme’s disease and deer ticks, yet he always wanted to play in the leaves.  The sky was crystal clear and blue and the leaves glowed like a pile of treasure.  The lion brushed passed the boy’s legs and licked its lips, about to gorge itself on the boy’s dreams of playing in the leaves.  And then it happened.  The boy looked the lion straight in the eyes.  The lion blinked.  No one had ever done that before.  People weren’t supposed to see fears for what they really were.  This boy was staring back, and, much to the shock of the lion was smiling.  The boy took a step towards the lion.  The lion snarled.  The boy laughed and then tussled the lion’s greasy mane.  The lion was incredulous, and yet it felt something surge within its ribs—something alive.  The boy had had enough of not living the life he always dreamed of.  “I can do a tick-check,” he thought, and turned from the lion and leapt into the leaves in a huge, splash of autumn glory.  He laughed with joy and when he looked at the lion it was no longer a starving, rib-exposed ghost.  It was golden.  It was majestic and the form of bravery itself.  It let out a roar of triumph that sent the approaching pack of starving lions scattering like mice.  The boy dove back into the leaves laughing, and then popped his head up blowing a yellow leaf from his face.  The leaf sailed and settled onto the lion’s head like a little crown.  “Come on in!” the boy shouted. The lion smiled, flicked his tail, twitched its ears, and then roared, leaping into the pile and rolling with the boy like a puppy, happy to be truly full, truly alive, truly itself.


Copyright Joseph Anthony of the Wonder Child Blog